My character in this pose always has an asymmetrical face- correct it first. This allows you to check the ‘unnatural’ feeling of your picture. Use the transform tool>click the image>hit ‘H’ key to flip it>click outside the picture. The dry brush that I was using helps blending colors together.īefore we get into painting, there’s one thing to do. It is quite possible that you ruin the whole painting with over-confident, however wrong, colors. Why is it hard? Because you are not using the same color in step1 therefore you have to paint over your existing draft again. Now start the annoying part- adding detail features and colors. Turn off the layer pod as we don’t need it anymore. This is the good thing about ArtRage: your drawing on the first layer doesn’t merge with the canvas like PS or PT. I like to keep the color thin for now- some people use heavy colors right from the start.Ī little hair clip indicates the darkest dark.įirst create a new layer and move it behind the initial layer, ‘kill’ the background white. Keep the brush size as big as possible (do not do any details now)! As this stage your oil sketch should show the basic design of the subject and the light source. Start to block in big colors using dry oil brush. It has a quite good texture roughness and not-so-white background. The canvas setting can be found in the canvas library default. Using ArtRage 3, create a 900*1600 Essential Canvas. The style was inspired by Caroline Anderson and Morgan Weistling. After playing with ArtRage 3 presets and Wacom shortcut settings for about 3 days, I started this picture. The character design should be fun to look at. I tried many times before this picture, and it’s not as easy as I thought. A week ago I was asked by a friend to paint someone that ‘is staring at you’.
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